The Lonely Forest
Arrows
Play Arrows
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MOG Editorial Review
After two charming full-lengths and an increasing amount of buzz, Seattle indie rockers seem poised to take things to the next level with Arrows, which features production from none other than Death Cab for Cutie's Chris Walla. Rather than rely on production trends or genre-based gimmicks, the band take on indie rock in the most straightforward way possible, creating strong, earnest hooks that are bound to get stuck in your head. This is especially true of standout track "Turn Off This Song and Go Outside," a fairly heavy track that will put you in a good enough mood to follow the band's instructions... Not until it's finished, though. With the presence of Walla behind the soundboard, it might be easy to make Death Cab for Cutie comparisons, but between their self-aware lyrics and tendency to turn the amps way up, the Lonely Forest are clearly a band all their own.
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AMG Review of Arrows
William Ruhlmann
All Music GuideOn Arrows, the Lonely Forest's third full-length album, singer/songwriter/pianist John Van Deusen continues to express his quirky worldview in a reedy tenor occasionally wafting into falsetto, his songs set in classic pop structures even when his keyboard is not the preeminent instrument. Actually, that occurs frequently, as guitars dominate in arrangements that suggest the alternative rock of U2 and R.E.M. Van Deusen, meanwhile, comes off as a son of David Byrne or little brother of Ben Folds, presenting his idiosyncratic impressions, which include "Turn Off This Song and Go Outside," which follows up that piece of advice (for anyone who hasn't yet obeyed it) with the command, "Find someone to love," adding of the song, "you can listen to it later." Those who continue to listen anyway will hear Van Deusen alternate his conflicted impressions of romance in the succeeding songs, "(I Am) The Love Skeptic" and "(I Am) The Love Addict." One thing he is not conflicted about is his affection for his and the band's stomping grounds in the Great Northwest, a matter he takes up in "I Don't Want to Live There." The places he doesn't want to live include such music business meccas as Los Angeles and Nashville, while the place he does want to live (and love and die) features towering evergreens and the smell of the sea. Yet the Lonely Forest's music is sufficiently engaging that, along with Van Deusen's words and singing, it deserves much wider recognition than the band's immediate environs. This is music with the potential for a national following, which might involve playing in places the group's leader doesn't want to be caught dead.







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