MOG Editorial Review

Danish singer-songwriter Nanna Fabricius is set to become electro-pop's latest crossover act with the release of her decidedly understated set of dancefloor jams. While there has been a steady flow of pop starlets from across the pond, most of them made a far bigger fuss about their "alternative" status than Oh Land, who simply sets out to create solid songs that just happen to be left-of-center. Tracks like the earworm "Son of a Gun" have subtle touches to distinguish from both everyday and indie pop, mainly in its use of hypnotic, dubstep-leaning rhythms, creating a nice contrast to the rest of the song's energetic electronica. Though this album seems destined to become a cult favorite, it's only a matter of time before the mainstream catches on to Oh Land, and we can't wait.