The Gaslight Anthem
American Slang
Play American Slang
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MOG Editorial Review
By merging garage punk sensibilities with the spirit of fellow Jersey native Bruce Springsteen, the Gaslight Anthem have created the Garden State's next great sound with American Slang. Though the Boss has become a popular inspiration for alt-rock acts these days, no one wears the influence on their sleeves better than the Gaslight Anthem, and American Slang shows it in new, subtle ways. Some of the aggressive punk is front and center, but the band's own, contemporary taking on the working class anthem on downtempo ballads like closer "We Did It When We Were Young" show that the band are interested in crafting a great rock song rather than simply posturing or relying on gimmicks.
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AMG Review of American Slang
Gregory Heaney
All Music GuideWith their hearts on their sleeves and their feet planted firmly in the garden state, the Gaslight Anthem’s third album, American Slang, plays out like an offering to Springsteen, the patron saint of heartland rock. The feeling on this album is considerably more relaxed. All of the punk rock tension and urgency have been replaced by a more patient and heartfelt mood. This change of pace really gives the listener the ability to sit back and take in the scenery on their musical Rust Belt road trip, making for a more moody, understated experience. There are still a few uptempo rockers on the album, with “Stay Lucky” and “The Spirit of Jazz” bringing back some of the speed that old fans might be used to. The rest of the album works in more of a midtempo space, giving singer Brian Fallon’s weathered voice room to work, allowing him to really dig in and make the best use of the laid-back melody on “Bring It On” and the spaciousness of “We Did It When We Were Young.” The prevailing feeling throughout this album is that American Slang represents a more mature sound from the Gaslight Anthem, showing us a band that has grown up enough to start attempting to fill the shoes of their influences.















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