The Raincoats

The Raincoats

  • MOG Editorial Review

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    When The Raincoats formed, they embodied the punk D.I.Y. spirit in that they formed a band and then learned how to play. Therefore, their self-titled debut, released in 1979, has a scrappy and catastrophic air to it. Rather than let that hold them back, it defined their sound. The band's folk and reggae influences made them more complex than other punk bands. The folk leanings heard in album opener “Fairytale in the Supermarket” are certainly nothing that the Sex Pistols ever dared to try. Nor did they ever cover the Kinks, as The Raincoats so successfully do here on an inspired take of “Lola.” The wayward style of The Raincoats, from off-key singing to jumbled instrumentation, helped steer punk into more distinct directions, making their debut a much-loved classic.
  • AMG Review of Raincoats

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    John Dougan
    All Music Guide

    Picking the "best" Raincoats is more an intellectual exercise than it is a work of thoughtful criticism. So, to make it easy for the benighted, all three studio releases are absolutely essential. Their live cassette is wonderful, but not the ideal entry point. Better yet, start with their debut, a soaring, daring, avant-garde-influenced folk-punk record. Don't let the words "avant-garde" scare you off; the Raincoats are not harsh or unapproachable. In fact, this music, even at its most dissonant, is stunning and captivating. There's a great cover of the Kinks' "Lola" that's so skewed and obtuse, Ray Davies probably never dreamed it could sound this way. Reissued by Geffen on CD with extra tracks in 1995.

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