Gwar

Hell-O

  • MOG Editorial Review

    Editors_picks_badge
    Few bands before or after the release of Hell-O ever sounded quite as comically terrifying as GWAR, with a sound nearly as out-there as their stage get-ups. Filled with satanic imagery and ferocious metal riffs, Hell-O managed to mix its hard rock attitude with a style that actually veered closer to punk. Upbeat tracks like "AEIOU," for instance, felt punk both in its short run time and sense of humor. While hearing GWAR on record might not have anything on their live show, Hell-O is still a perfect romp for those wishing to experience over-the-top horror and a good laugh or two.
  • AMG Review of Hell-O

    Amg
    Johnny Loftus
    All Music Guide

    While Gwar is really more of a sight gag, its music has always held up its end of the band's bit, riffing on heavy metal clichés while using those same elements to create serviceable headbanging music. Musically, the papier-mâché pranksters' 1988 debut falls somewhere between Black Sabbath and Anthrax; lyrically, it's like Ween trapped inside the brain of a 14-year-old kid. Fart jokes, snickering song titles (the winner: "I'm In Love (With a Dead Dog)"), plenty of bizarre and/or gory references to sexual perversion, and references to anal caves -- it's all in a day's work for Gwar. Standouts include "Americanized," which adds a bit of Crass-style street punk into the band's sound, the joke-establishing "Gwar Theme" ("We are Gwar/We'll go far/We've got guitars/We'll eat your car") and "Techno's Song," which introduces Techno Destructo, a Gwar-hating alien who lives "way past Uranus." The death ray sound effect cutting through "World O Filth"'s hardcore thrash is also spectacular.

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