Four Tet

There Is Love In You

  • MOG Editorial Review

    Editors_picks_badge
    After spending a few years toying with jazz and folk to varying results, producer Kieran Hebden has managed to properly merge these interests with a bona fide electronic sensibility on There Is Love in You. The result is something that touches on everything cropping up in club scenes these days, most importantly embracing dubstep influences like never before. Though the album is worth a full listen, its strong start with "Angel Echoes" and "Love Cry" serves as Love's high point, creating moody, melodic pieces of electronic music that thrive specifically because of Hebden's smorgasbord of inspirations, and it's a surefire sign that he's only getting better with age.
  • AMG Review of There Is Love in You

    Amg
    John Bush
    All Music Guide

    Kieran Hebden's first Four Tet full-length in four years comes after a parade of collaboration albums, DJ dates, remixes, and one EP that sounded strikingly like John Carpenter soundtracking the original #Halloween film. Appropriately, There Is Love in You is a reset album, one where Hebden pares his music down to the essentials. (Sorry, no dubstep workouts or pastoral ballads to be found here.) It's the most natural he's sounded on record in years, much more assured than Everything Ecstatic, which bore the brunt of Hebden's wish to snip the folktronica tag by floating an array of (somewhat) iconoclastic tracks. Here, the music consists of little more than soft tones, muted beats, and overlaid music-box melodies. Perhaps not a recipe for greatness, but in keeping with the axiom that a great artist can always shine no matter the materials or medium, There Is Love in You is an accomplished, beautiful record (despite the lack of shiny bits). Vocals, where they appear, are wordless and textural; the few samples are glitchy but warm and hypnotic. The nine-minute single "Love Cry" sounds like Carl Craig's Innerzone Orchestra making an epic children's record. Overall, There Is Love in You has the spartan precision of Phillip Glass but also, surprisingly, the warmth and vitality of classic Cluster as well. From his debut, Hebden has always made the more alien side of electronic music sound warm and inviting; this not only accomplishes that, but ranks with his best.

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