Aphex Twin
Richard D. James Album (Bonus Tracks)
Play Richard D. James Album (Bonus Tracks)
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MOG Editorial Review
In the universe of Richard D. James (aka Aphex Twin), jungle and drum 'n bass mash violently against one another in a bid for sonic dominance. Amidst vertigo-inducing beats and melodies that fluctuate between cohesion and fragmentation, we hear samples of children's songs, reversed violins, and all of the other noises that must cloud James' inner monologue. His vision of the future has undertones of menace that can be be disturbing to the uninitiated, but they are unmistakably the work of a genius. That, or a mad man.
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AMG Review of Richard D. James Album
John Bush
All Music GuidePerhaps inspired by the experimental drum'n'bass being created by Squarepusher (a recent signee to his Rephlex label), Richard D. James' third major-label album as Aphex Twin was his first to work with jungle -- though, to his credit, he had released the breakbeat EP Hangable Auto Bulb almost a year earlier. Contemporaries Orbital and Underworld were beginning to incorporate moderate use of drum'n'bass in their work as well, but this album was more extreme than virtually all jungle being made at the time. The beats are jackhammer quick and even more jarring considering what is -- for the most part -- laid over the top: the same fragile, slow-moving melodies that characterized Aphex Twin's earlier ambient works. Most overtly disturbing is "Milkman," the first straight-ahead vocal track from Aphex Twin; the song is a child-like ode that gradually deteriorates into a bizarre fantasy concerning the milkman's wife. With all the Aphex Twin's curious idiosyncracies, though, Richard D. James Album is a very listenable record and a worthy follow-up to I Care Because You Do. [The American issue features the English EP "Girl/Boy."]






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