Leon Russell
Leon Russell
Play Leon Russell
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MOG Editorial Review
He's better known as a session for artists like the Rolling Stones, but Leon Russell's self-titled solo album is one of those rock 'n' roll gems that each generation gets to discover for itself. Blending bits of rock, country and blues with a production style that seemed to invite playful errors, like the delightful set of false starts on the gospel-tinged "I Put a Spell on You." Elsewhere, Russell proved he could write ballads as well as the musicians he associated with, including opener "A Song for You." His well-deserved Rock and Roll Hall of Fame induction had far more to it than his session work, and this 1970 classic will quickly give you some insight into why.
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AMG Review of Leon Russell
Stephen Thomas Erlewine
All Music GuideLeon Russell never quite hit all the right notes the way he did on his eponymous debut. He never again seemed as convincing in his grasp of Americana music and themes, never again seemed as individual, and never again did his limited, slurred bluesy voice seem as ingratiating. He never again topped his triptych of "A Song for You," "Hummingbird," and "Delta Lady," nor did his albums contain such fine tracks as "Dixie Lullaby." Throughout it all, what comes across is Russell's idiosyncratic vision, not only in his approach but in his very construction -- none of the songs quite play out as expected, turning country, blues, and rock inside out, not only musically but lyrically. Yes, his voice is a bit of an acquired taste, but it's only appropriate for a songwriter with enough chutzpah to write songs of his own called "I Put a Spell on You" and "Give Peace a Chance." And if there ever was a place to acquire a taste for Russell, it's here.
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