Lynyrd Skynyrd
Second Helping
Play Second Helping
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MOG Editorial Review
Lynyrd Skynyrd may be synonymous with southern rock at this point, but they didn't solidify that reputation until the release of 1974's Second Helping, a classic that showed the band had far more range than most give the band credit for. While tracks like the infamous "Sweet Home Alabama" show them at their southern rock best, songs like the horn-laden "Don't Ask Me No Questions" and crunchy blues-rock number "Swamp Music" had the band stretching their range while keeping their general sound in tact. Meanwhile, somber, well-crafted cuts like drug ballad "The Needle and the Spoon" showed that they were about far more than just good times and celebrating life back home.
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AMG Review of Second Helping [Bonus Tracks]
Stephen Thomas Erlewine
All Music GuideLynyrd Skynyrd wrote the book on Southern rock with their first album, so it only made sense that they followed it for their second album, aptly titled Second Helping. Sticking with producer Al Kooper (who, after all, discovered them), the group turned out a record that replicated all the strengths of the original, but was a little tighter and a little more professional. It also revealed that the band, under the direction of songwriter Ronnie Van Zant, was developing a truly original voice. Of course, the band had already developed their own musical voice, but it was enhanced considerably by Van Zant's writing, which was at turns plainly poetic, surprisingly clever, and always revealing. Though Second Helping isn't as hard a rock record as Pronounced, it's the songs that make the record. "Sweet Home Alabama" became ubiquitous, yet it's rivaled by such terrific songs as the snide, punkish "Workin' for MCA," the Southern groove of "Don't Ask Me No Questions," the affecting "The Ballad of Curtis Loew," and "The Needle and the Spoon," a drug tale as affecting as their rival Neil Young's "Needle and the Damage Done," but much harder rocking. This is the part of Skynyrd that most people forget -- they were a great band, but they were indelible because that was married to great writing. And nowhere was that more evident than on Second Helping. [The 1997 MCA reissue adds three bonus tracks: the single version of "Don't Ask Me No Questions," a demo of "Was I Right or Wrong," and "Take Your Time."]






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