Dusty Springfield

Dusty In Memphis (Deluxe Edition)

  • MOG Editorial Review

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    She'd spent her early years bridging the gap between British Invasion pop and American soul, but Dusty in Memphis marked the moment that Dusty Springfield finally tipped the scales in favor of the latter, and the result was a revelation. Songs like the infamous "Son of a Preacher Man" and were brimming with life thanks to its well-crafted horn and string sections, and Springfield's delicate-yet-soulful vocals put them over the top. Rather than replicate Memphis soul like many British singers past and present have attempted, Dusty Springfield created a perfect sound by leaving her own stamp on the genre thanks to her fantastic pipes and inspired production.
  • AMG Review of Dusty in Memphis [Deluxe Edition]

    Amg
    Bruce Eder
    All Music Guide

    Just when you thought that the perfect album and its CD equivalent couldn't get any better, along comes Rhino with this 25-song deluxe edition of Dusty in Memphis. The new transfers on the original Dusty in Memphis material are sharper and brighter, but also warmer than the original 1992 CD -- the finely nuanced richness of Dusty Springfield's voice on the softer numbers, such as "In the Land of Make Believe" and "Windmills of Your Mind," is captured perfectly on this new edition, where the old CD had a colder, harder texture. Among the bonus tracks, "What Do You Do When Love Dies" comes from the same sessions as the Memphis album, and its noninclusion on the original is difficult to explain, being one of the singer's more exuberant performances and tracks. The highlight of the bonus tracks, however, are the songs left over from sessions for the unfairly underrated Gamble- and Huff-produced Brand New Me album, and the unissued 1971 Jeff Barry-produced sides for a never-released third Atlantic album. If anything, she's more confident and bold on this material than on Dusty in Memphis. The sound is lusher, and heavier as well, but no less seductive and captivating, and the presence of treasures such as her covers of David Gates' "Make It With You" and Carole King's "You've Got a Friend," the gospel-flavored "Love Shine Down," and the hard-rocking "Natchez Trace" all serve to make this a must-own CD, even for those who already have the previous versions. One other nice feature of the new edition is that the clarity of the remastering brings the backing instruments out as never before, which makes one appreciate the production and arrangements as well as her performance.

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