Moby Grape

Listen My Friends! The Best Of Moby Grape

  • MOG Editorial Review

    Editors_picks_badge
    Despite their association with the San Francisco psych-rock scene of the '60s, Moby Grape tackled far more than just that, more often than not only hinting at trippy elements, especially on this compilation of their finest work. Kicking off with the crunchy "Mr. Blues," Listen My Friends! gives us a band incapable of getting pigeonholed, just as likely to country ("8:05") as they were pysch-rock ("Bitter Wind") or the blues ("Murder in My Heart"). While they're something of a cult band several decades after their heyday, the songs here show that Moby Grape were far more versatile than many of their more famous peers.
  • AMG Review of Listen My Friends! The Best of Moby Grape

    Amg
    Richie Unterberger
    All Music Guide

    As a single-disc, 20-track compilation of some of Moby Grape's best material (with a radio ad for their Truly Fine Citizen album tacked on at the end), this works fine. As something that should really be worthy of the name "best-of," it's more problematic. For Moby Grape really is a group best appreciated by a more extensive (yet still selective) overview of its most enduring work, an excellent one of which was compiled in 1993 for the double-CD Vintage: The Very Best of Moby Grape. This briefer anthology includes just two songs, "Changes, Circles Spinning," and "If You Can't Learn from My Mistakes," that didn't appear on Vintage, and can't help but suffer in comparison. That's not least because it includes just six of the songs from their self-titled debut album -- universally hailed as their strongest record by far -- where Vintage has every track from that LP. Listen! My Friends still has plenty of good stuff, judiciously cherry-picking their erratic post-Moby Grape albums for their strongest cuts, though the more melodic country- and folk-oriented songs hold up far better than the bluesier rockers. Indeed, almost every track is impressive, making a case for the band as one of the '60s outfits who most adeptly blended rock, folk, blues, and country with touches of psychedelia, as well as showing their post-1967 stuff (at least the best of it) to be sturdier than is usually remembered. If you remember the original releases, though, you'll find yourself wondering why highlights like "Someday," "Lazy Me," and (from the post-Moby Grape days) "It's a Beautiful Day Today" and "I Am Not Willing" aren't here. Unless you're an extraordinarily impatient listener, then, Vintage remains the comp to find.

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