As previously reported, Bryan Ferry released(March 5) his new album of strictly Bob Dylan covers entitled Dylanesque(Virgin). It was the first album released by the former Roxy Music frontman since 2002. Ferry recently sat down and explained his own personal Dylanesque moments with Yahoo, admitting he wasn't a fan of Dylan, right off the bat.
"I heard Dylan when he first came out, and I remember seeing people wandering around with his album under their arms," Ferry recalled of his years at England's Newcastle University.
"But at that time I wasn't into ... folk music. Oh, acoustic guitars? It was not my thing.
"I was very much into Otis Redding, soul music, Stax, Motown. And guitars had to be electric for me, to be exciting," he told Reuters in a recent interview.
Asked what he thought when Dylan dropped the acoustic image and went all electric with the 1965 album "Highway 61 Revisited," Ferry laughed. "That's when I got into him."
"When the guy shouted 'Judas' at him? I would have been the one cheering," he said of the seminal moment in rock history when one fan made his displeasure known during Dylan's 1966 show in Manchester, England.
From then on, Ferry was hooked on the enigmatic American singer and after Roxy Music, his first solo single was a reinterpretation of Dylan's "A Hard Rain's A-Gonna Fall."
"So from the offset of my solo career, there's a relationship with his work," he said. "Also it was a big hit so it was like a lucky charm for me."
On the new album, titled, what else? "Dylanesque," Ferry tackles songs that might have hard-core Dylan fans wincing in anticipation. Because his work is idiosyncratic and so closely associated with the singer-songwriter, many consider Dylan almost sacrosanct -- with the Jimi Hendrix version of "All Along the Watchtower" a notable exception.
The new Ferry disc includes a couple of songs, "The Times They Are A-Changin"' and "Positively 4th Street," that most artists would not dare cover.
Confronted by the suggestion that some listeners might be prepared to hate his record, the 61-year-old Ferry was gracious.
"That's reasonable," he said, explaining that he was attracted to the lyrics. "I'm a singer, so words are important to me.
"As opposed to the songs I've done from the 1930s, another area I've sort of plundered, or been inspired by, those (Dylan) songs are quite complex."
Dylan is quite simple melodically, he said, "(but) there's a richness in the words which offsets the simplicity of the music sometimes.
"I like my own lyrics, but I don't write as prolifically as I would like to. So that's probably why I went into the whole world of interpretation in '73," Ferry said.
Bryan Ferry
Asked whether he had sought to gain any special insights into the songs' sometime cryptic words, he said: "Not really. Not in the sense that 'I'm going to sit and analyze them, like Shakespeare.' But I never get tired of singing them.
"I just thought it would be nice to do before I die, to do more of Dylan's songs before I lose my voice," he said.
Unfortunately, Ferry has no idea whether Dylan approves of his versions of the songs. He's never heard from the man.
"He might have liked it, I've no idea. It would be nice if he did, because I'm a big fan of his work. But I would understand if he didn't care for my interpretations."
Ferry himself never saw Dylan perform in person until last year, when his teenage sons took him to one of the living legends performances.
As for future projects, Ferry said he is not sure but started recording with some of his old Roxy Music mates last year.
"I imagine I'll go back to doing some of that," he said. "Nothing's completed. It will take ages. There's no plans. I don't want any plans. The great thing about doing this album was there were no expectations, and no pressure to do it."
Ferry later took the wind out of the sails of fans in North America with hopes of catching him live.
"No, I can't afford to (tour)," he said. "It's too expensive. I've got 10 people in the band. Unless you can find a sponsor. Do you know anybody?"
