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MUSIC SIGNPOSTS ON THE WEB'S LONELY ROAD

Artist: Alison Krauss & Jerry Douglas
Album: Slide Rule
Track: I Don’t Believe You’ve Met My Baby
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After Mike the Knife’s fine 3/28/08 post about story songs (http://mog.com/Mike_the_Knife/blog_post/152749#comments) had its parade come and go, two other story songs eventually came to mind that you might enjoy. The first song, “I Don’t Believe You’ve Met My Baby,” had originally jumped out at me from the speakers as I was listening to dobro player Jerry Douglas’s then-new 1992 mostly-instrumental album Slide Rule, and it introduced me to guest singer Alison Krauss’s unforgettable voice.

Her voice can get soft, so reading the lyrics might help you enjoy them.

I Don’t Believe You’ve Met My Baby

Last night, my dear, the rain was falling. I went to bed, so sad and blue. Then I had a dream of you.

I dreamed I was strolling in the evening Underneath the harvest moon. I was thinking about you.

Then we met out in the moonlight. The stars were shining in your eyes, But another was there too.

“I don’t believe you’ve met my baby.” You looked at her, you looked at me. I wondered who you were talking to.

I shook the hand of your stranger, But I was shaking more inside. I was still wondering who.

Your arm was resting on her shoulder. You smiled at her, she smiled at you. Her eyes were filled with victory.

She said, "My brother wants to marry," And then my heart was filled with ease, I knew that you would marry me.

The dream slowly becomes more and more ominous, in order for the last verse of this performance to be able to flood me with bliss every time. Autrey Inman wrote the song, and I think the Louvin Brothers first recorded it, followed later by the duo Porter Wagoner & Dolly Parton. It’s a rare non-blues traditional-type song that has six-bar verses and not 4-, 8-, 16- or 32-bar lengths. Later Krauss included this track on her best-selling 1995 CD Now That I’ve Found You: A Collection.

An earlier song with certain narrative similarities is "A Tragic Romance," written and recorded in the late forties or early fifties on the King label by one of my favorite country singers of that era, Grandpa Jones.

I prefer his regular self, singing love ballads with his guitar, than his white-moustached old-timey banjo persona, singing old folk and novelty songs.

Here are the lyrics:

The Tragic Romance

Nestled in the heart of the Tennessee hills, Midst peaceful pines, midst the rocks and the rills, Stands my old homestead of long, long ago. It brings back fond memories of one I loved so.

I courted a maiden so sweet and so fair With heavenly eyes and with chestnut brown hair. She told me she loved me and said she’d be mine, But I went away leaving her there behind.

I’ll tell you the reason why I left her there To roam this old world with its sorrow and care. I saw her one night in the arms of a man, Hugging and kissing as two lovers can.

I went to my home with a heart full of woe. I packed my belongings, determined to go. For many long years this old world I did roam With thoughts of my sweetheart, my darling, my own.

While dining one day in a little country town, A stranger walked in and he chanced to sit down. While talking of loved ones, I happen to find That his sister was that old sweetheart of mine.

When he heard my story, to me he then said, The one you left there has a long time been dead. She waited so long for the day that you’d return, But why you had left her she never did learn.

Now I am the man whom you saw that fatal night Wrapped in the arms of my sister so tight. She loved you so dearly, but you broke her heart, For stranger from her evermore you must part.

Posted on 04/11/2008
Tags: Grandpa Jones, Tragic Romance, story songs, country music
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Comments

Spike you never fail to delight. I had heard that first track before and of course its special. But that second track is pure gold.

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That Krauss/Douglas number is beautiful stuff, Spike. My heart is full. That whole album is an easy ride. Not too familiar with proto-Grandpa material, having been exposed to and shrugged at his caricature period, but "Tragic Romance" (not too obvious a title, huh?) was a treat.

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Spike says:

'Tis indeed. My pleasure.

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dermahrk says:

I own all of Alison's output with her band, but not this, which is appreciated, and beautiful. I heard this song on one of Dolly Parton's bluegrass CDs, but this has it beat by....well, you know. Grandpa Jones? Didn't care for him on Hee Haw, nor the early bluegrass tunes of his I got on a Proper Bluegrass box set. But this is much more palatable. BUT: how hard did you have to look to find such a terrible picture of Alison? She got better looking as her career took off. And Grandpa never sounded better, nor looked worse. He looks like Bela Lugosi's retarded cousin in that shot.

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runobodyii says:

Wonderful post. Much nicer the relief at the end of the Krauss after being in the dark with the singer, than being in the know all through the second song and waiting for the shoe to drop. Hate those missed connections love songs.

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wassonii says:

Fantastic. Alison's phrasing was always there. It's nice, tho, to hear it earlier in her career (of which I honestly haven't heard much, so thank you) I love Hee Haw. If you can't poke fun at yourself, you can't poke fun at others. I knew Granpa Jones had an earlier part, too, to his career, but neither had I heard bits from it. Great voice. I wonder who's at home playing alongside him? Google here I come...

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Spike says:

dermahrk, before I had heard this song, I had heard on the radio once a song (whose title I forget) that I thought was sung by Dolly Parton, but it turned out to be on one of Alison Krauss's records. Their voices have at times had similarities. The photo of her shows how she looked in '92, and I think she looks sweet. Your description of Grandpa Jones's mug is poetic. Here's what I left out: He may have chosen the hayseed getup and act as the only alternative to an unattainable romantic lead look. Sound over sight, I say. King and Starday always had numerous incompatible fonts and colors on their covers, and their reissues used to be cheapskate.

runobodyii, I agree with you about the narratives, though I haven't heard enough missed connections love songs to feel hate. I imagine it to be a fun emotion to feel.

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Spike says:

wassonii, thanks. Let me know what you find out about Jones. For the last year or two I've been thinking about doing a post on his earliest recordings, reissued by Ace.

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mollifire says:

everything krauss does is beautiful. thanks for digging this one up.

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Spike says:

mollifire, thank you.

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ivylander says:

Both songs are quite ravishing. I love country songs like this (or, say, "Long Black Veil") that tell timeless stories that are, in the Greek sense, tragic. I would like to think this has something to do with the influence of Irish settlement in Appalachia.

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Spike says:

Or the fact that they didn't have TV and had to make up their own stories.

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ivylander says:

Yes. There is something, though, about the recurring theme of misguided choices and the ruin they engender that seems peculiarly Irish.....

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Spike says:
Your theory is intriguing, and seriously I'd enjoy knowing more. I haven't listened to the lyrics of enough Irish ballads, but I wouldn't be surprised if you're right. I'm glad you mentioned "The Long Black Veil" which is a great story song, an early hit for Lefty Frizzell.
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