Posts by Rebecca Turner
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There's something about discovering a new band that is really rejuvenating. My sudden obsession with Assembly of Dust is taking me both forward and back. Back to the sounds of Little Feat, and the feel of a mellow, optimistic L.A. summer afternoon, and forward into a new world of a new band. They're a jam band, and I didn't think I liked that kind of music (although Ryan Adams, who I love, has ...
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Last night some friends were coming over, and I said, "What should I put on?" S. said, "Let's just listen to all the CDs alphabetically." It was a joke, but then I said, "That's actually a good idea." It seemed like a good recession-era task, and fun given all the different music we've collected together and separately. Plus a way to find out what to recycle (especially since we're about to bring
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I'm always impressed by the ability to pull off a long song. Mostly because I usually don't like them, so when I do, it's exciting. The new Jenny Lewis, Acid Tongue, is very 60s and 70s, more accessible to me than her first solo album, but with a wacky, Hollywood-girl edge (intensified by a lot of Zooey Deschanel on backing vocals). My favorite song is "The Next Messiah." It appears to be about so
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My anxiety/sadness is hardly ever an overall/blanket kind of thing but usually focuses on specific events that I fear, dread, regret. My mind can hardly ever relax as it has to run up to the next "bad thing" it can find and worry over it...whether it's in the past or future (Living in the moment? Not my specialty.) Sometimes these issues are valid; sometimes they're irrational. In any case, yester
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Over the years I'd heard bits and pieces of Goldfrapp and thought, gee, for newfangly electronic music, that's kind of nice! But then I found their new album, Seventh Tree, streaming on AOL Music...and now it's gone, and I'm seriously missing it. (So, I just bought it, which means their evil plan worked!) The album opens with a nylon-string guitar and then Alison Goldfrapp's voice comes in -- and
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Coming home on the train this evening, looking at the cold sparkle of NJ, I was listening to Aretha Franklin's "Somewhere," produced by Quincy Jones, from 1973. Could there be a more perfect day for this track? A quick look around shows that plenty of other people find this track a wonder. But forgive me for taking you on a brief tour. It starts with triumphantly simple piano chords, with which it
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