I've finally given Matson Jones' self-titled 2005 debut the listening and absorbing time it needed. I don't know why the idea of a rock band with chugging cellos as a replacement for guitars didn't immediately convince me to listen in. My friend couldn't stop listening after she was forced to write this review:"This is no average sound. It's hard to even give it a type of classification, which really makes it intriguing. This self-titled debut album has the immediate effect of drawing you into its strange noise. Vocalists Martina Grbac and Anna Mascorella create a duet of eerie cellos moving at a rapid pace, shadowed by the sound of a deep standup bass and all being pushed along by the sound of attacking, steady drums. The songs are definitely odd, what with titles like "A Little Bit of Arson Never Hurt Anyone." The lyrics can be slightly deranged, but enchanting at the same time. I recommend the album to anyone and everyone in search of new music, because it's far too bizarre to pass up."- Robin BaciorContributor, The SynthesisI'd say "deranged yet enchanting" is the best way to describe their sound."He Means Nothing, Dear", "Into My Arms" and "A Little Bit of Arson Never Hurt Anyone" stand out instantly. After a few songs you realize you don't miss the guitars. After a few songs you wish cellos were used in more rock songs.Maybe it's time to pick up their 2006 release, "Albatross Mates for Life, But Only After a Lengthy Courtship that can Take up to Four Years". Has anyone given this album a listen?