WHERE MUSIC LISTENS TO YOU

I Can't Stand The Rain

Posted about 1 year ago
www.lanier2.imeem.comA diminutive singer with a powerful voice and an even stronger attitude, Ann Peebles was one of the artists who defined Willie Mitchell's legendary Memphis soul label Hi Records, along with Al Green and, later, O.V. Wright. Easily the best female singer in the Hi stable, Peebles ranked among the finest deep Southern soul singers of the decade, notching an instant classic with her 1973 hit "I Can't Stand the Rain." She co-wrote a generous share of her own material with husband Don Bryant, and while she cut plenty of love and heartbreak tunes, her persona was built on the grit and resilient strength she displayed on songs like "I'm Gonna Tear Your Playhouse Down." Peebles wasn't always as appreciated on the charts as her work often merited, especially among pop listeners, but her best recordings hold up among the best of their era.Peebles was born April 27, 1947, in East St. Louis, MO. Her father was a minister and her mother a singer, and naturally Peebles began singing at a young age in her father's church choir. She also sang with the family group, the Peebles Choir, which had been touring the gospel circuit since Peebles' grandfather founded it a generation earlier. As a teenager, she sang secular music on the St. Louis club circuit, supported and accompanied by her father. There she met blues bandleader Oliver Sain, a local legend, and eventually joined his revue. Peebles caught her big break in 1968 on a trip to Memphis, where she asked to sit in on a club set by trumpeter Gene "Bowlegs" Miller. Miller was already signed to Hi Records at the time, and duly impressed with Peebles' voice, he brought her to Hi house producer Willie Mitchell for a tryout. Mitchell, who was still in the process of shifting the label from country to R&B (and had not yet discovered Al Green), immediately offered Peebles a contract; she was still shy of her 21st birthday.Mitchell teamed Peebles with singer and house songwriter Don Bryant, seeking a bit more seasoning in her R&B phrasing. Peebles and Bryant soon began writing together, and would also end up dating in 1972. In the meantime, Peebles recorded her debut single, "Walk Away," a song written by Sain that just missed the Top 20 on the R&B chart; the follow-up, "Give Me Some Credit," was also a minor hit. Her fourth single, 1970's "Part Time Love," was her first R&B Top Ten, prompting a reissue of her debut album, This Is Ann Peebles, under that title. 1972's Straight From the Heart was her first artistically realized LP, however; it featured several minor R&B hits in "I Pity the Fool," "Slipped, Tripped and Fell in Love," "I Feel Like Breaking Up Somebody's Home" (later covered by Bette Midler), and "Somebody's on Your Case," plus the signature album track "99 Lbs." Her hot streak continued with 1973's I Can't Stand the Rain, which many critics still regard as her finest work. "I'm Gonna Tear Your Playhouse Down" was a decent-sized hit, and the brilliant title cut -- written by Peebles, Bryant, and disc jockey Bernard Miller -- became her biggest hit, peaking at number six R&B and famously becoming a favorite of John Lennon. She also charted with "(You Keep Me) Hangin' On" and "Do I Need You," but more importantly married Bryant in 1974.In the wake of "I Can't Stand the Rain," Peebles was a star on the soul circuit, even if she never duplicated its commercial success. "Beware," "Come to Mama," and "Dr. Love Power" were all charting singles from 1975's Tellin' It, but the rise of disco and the sale of Hi Records in 1977 would conspire against Peebles' career momentum. 1977's If This Is Heaven produced only one single in the title cut, which was more polished than Peebles' usual fare; none of the singles from 1979's The Handwriting Is on the Wall cracked the R&B Top 50. With Mitchell and most of the Hi house band gone, Peebles took a hiatus from the music business to concentrate on her family.Peebles reunited with Mitchell in 1989 for Call Me, an album released on Mitchell's short-lived new label, Waylo; however, longtime fans generally found it a disappointing comeback overpowered by sterile electronic instrumentation. Peebles returned to a more organic approach by signing with roots label Rounder's Bullseye Blues subsidiary for 1992's Full Time Love. Another effort, Fill This World With Love, followed in 1996, which featured guest spots from Mavis Staples and Shirley Brown. During the '90s, Peebles guested on several albums by Maria Muldaur. Meanwhile, "I Can't Stand the Rain" was covered by numerous artists, including Tina Turner, and revived by Missy "Misdemeanor" Elliott via sampling on her 1997 smash "The Rain (Supa Dupa Fly)."

Comments (15)

  1. redmiller1 says A great singer and a great song. Thanks for the post.
    Permalink posted 02/07/2008
  2. timatstaxmuseum says Ann Peebles not only is still one of the greatest soul singers in the world, but also one of the nicest people in the world. She kicked off her Acoustic Soul Tour in 2005 at the Stax Museum of American Soul Music at the original site of Stax Records to a sold-out, packed house and blew everyone away. She was delightful to work with. She also visited us in November when we had a 30-year reunion concert with the entire Hi Rhythm Section and other soul great Syl Johnson, who cut the original version of "Take Me To The River." Another great show! She and her husband, former Hi-mate Donald Bryant, are heavily involved with helping underprivileged children. In the words of Tina Turner, she is "simply the best!"
    Permalink posted 02/07/2008
  3. B42 says I love this song although I'm most familiar with the Lowell George version on Thanks, I'll Eat It Here, (1979) Ann Peebles, bookmarked, thanks.
    Permalink posted 02/07/2008
  4. MasonJar says Love this version, OSC. I haven't heard it before. Here's one for you to check out: Cassandra Wilson did a version on her '93 album "Blue Light 'Til Dawn". She's accompanied only by the National steel guitar of the late Chris Whitley. This has a much more mournful sound than Ann Peebles' version. Enjoy!
    Permalink posted 02/07/2008
  5. Old School C says Wow!! Thanks for that amazing history timatstaxmuseum !! I really enjoyed reading that. To MasonJar, That song wouldnt play for me, could you send me the url? I would really love to hear that track. Thanks you guys!!
    Permalink posted 02/07/2008
  6. MasonJar says Damn, it played a few minutes ago. Now it won't play for me either. Check it out here. I ended up doing my own post about it.
    Permalink posted 02/07/2008
  7. Oatmeal says Oh this is so great! I totally hear the similarity to a lot of Al Green arrangements, must have shared some session musicians.
    Permalink posted 02/07/2008
  8. timatstaxmuseum says Hi OSC, You are very welcome. I love Ann. And yes, Oatmeal, Ann Peebles and Al Green shared the same studio musicians, the Hi Rhythm Section. Those guys are all still around and sound as great as ever. Some of them played on Cat Power's "The Greatest" LP. And Willie Mitchell, who owned Hi Records and produced all that music, is getting or has just gotten the Grammy Lifetime Trustee Award here in the States. He is absolutely the coolest man on the planet. His recording studio is right around the corner from the Stax Museum (the original site of Stax Records) and is still operating and hasn't changed one bit in 50 years. It is funky and cool beyond belief and the room where Al Green and Ann Peebles recorded all that music is still completely intact and Al's "Number 9" microphone that no one else was allowed to use is still just standing there like time never changed a thing. John Meyer recorded part of an album there a couple of years ago. If Y'all (I'm from the South!) like "I Can't Stand the Rain," you should really listen closely to her "Breaking Up Somebody's Home." It's terrific and Albert King did a great cover of it. If you want to see a clip of Ann Peebles' show at the Stax Museum back in '05, just go to You Tube and enter "Ann Peebles Soulsville" and it should still be up. Have a great weekend!!
    Permalink posted 02/08/2008
  9. Old School C says Is this the same Stax building where the Bar-Kays and The Lockers and all the other greats performed back in 72 - 73. The Bar-Kays performed Son Of Shaft and everybody went bananas!!! On of my favorite performances from Watts Stax!!. I will post footage of that for my next post. Thanks again for that great history timatstaxmuseum , you are old school cool!!
    Permalink posted 02/08/2008
  10. timatstaxmuseum says Hey OSC - Yes, the Stax Museum is at the original site of Stax Records. The original building was torn down in 1989 but we have built a big, fantastic 17,000 square-foot museum at the site - same spot where Otis Redding, Isaac Hayes, the Bar-Kays (who STILL rock), the Staple Singers, Johnnie Taylor, Booker T. & the MGs, Eddie Floyd, and all those other great soul music cats recorded. We have about 3,000 exhibits, videos, stage costumes, photos, all 300 LPs and 800 singles, and a ton of other great things, inlcuding Isaac Hayes' restored 1972 gold-trimmed, peacock-blue, fur-lined Cadillac El Dorado. Talk about OLD SCHOOL COOL!! We also have a nice Wattstax exhibit. This is the only soul music museum in the world. You gotta come see it. Check it out and www.staxmuseum.com and let me know what you think! Thanks, timatstaxmuseum
    Permalink posted 02/08/2008
  11. Old School C says Whoa!! Ok im like overwhelmed with excitement right now!!! Hey I wanted to ask you is it possible if I could use a few images from the museum? I was thinking of a way to do more of a dedication to the that concert. I have about 3 performances on video that I wanted to post but a few images would put me over the top. Its still hard to believe that they had all that greatness in one building man. I read that the concert was only like a few dollars to get in!! The crowed definitely got more than their moneys worth that day!! If only I coulda been there.
    Permalink posted 02/08/2008
  12. timatstaxmuseum says Yep, yep. At Wattstax, the entire roster of Stax artists played for 112,000 people and admission was just a dollar. Stax insisted on having its own UNARMED security people and there was not one single incident of any kind of violence at all. OSC, do you have a copy of the concert documentary??? It has tons of footage from the concert and lots of extra interviews and club scenes. The best is one club scene with Johnnie Taylor singing "Jody's Got Your Girl." It lasts about 10 minutes and he just goes wild in the club and is dancing and singing like mad and is covered in sweat. It is not to be believed! The whole film is great. You should be able to buy it easily on line, but if you can't find it you can always order from the museum's store web site. And as for the images, you can probably get more and better quality at www.wattstax.com. Let me know if that doesn't work. I wish I coulda been there too!!!
    Permalink posted 02/09/2008
  13. Old School C says One Dollar!! wow, for that price today, there would have been some violence just tryin to squeeze in the door lol!!! I couldnt imagine a concert being put on like that today EVER!. I dont have the documentary but I only have access to 3 online clips from it. I heard that its a rare finder right now. Has it been re-issued??
    Permalink posted 02/09/2008
  14. timatstaxmuseum says Yep, ONE BUCK. And no, I don't think anyone could do that now. Stax had the magic!! The documentary is new as of 2004 with the original lost ending of Isaac Hayes doing "Shaft" remixed into it. You can get it at staxmuseum.com. Just click on the online store. Not trying to be salesman on here but if you really like Wattstax, you gotta see this film. It is WILD. Check it out!
    Permalink posted 02/09/2008
  15. FastRMacR says Woah! < I am seriously schooled, humbled, and gobsmacked! [ clued and cueued ] Thanks for this great post!
    Permalink posted 02/11/2008

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