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So, I'm here at home cooking Christmas dinner because I won't have any time over the weekend. It's our 2nd Christmas here in our little house, but the first one we've hosted a gathering. It'll be the in-or-outlaws - hi Kevin and Lise! plus D's Mom and friend Steve, so 6 in all. I'm cooking the dinner on my 1944 Wedgewood stove, which is the real reason we bought this house.
"
When we moved in, we spent three days and completely stripped down and cleaned
and fixed it up, so it's in wonderful shape. During the making of this dinner,
we'll be using almost all of its features, including
- the oven
- the famous "back burners"
- the grill
So, heads up Kevin - here's the progress report on your dinner! Stay by my side as we wend our way through the intricasies of creating this traditional American feast.
I started by roasting the potatoes, both sweet and Russet, for their respective dishes, Mashed Potatoes and Sweet Potatoes. For good flavor, we're starting out with organic ones.
Already, Potatoes
have become a "learning experience"! The local natural
food grocery has sweet potatoes on special, with 4 varieties all
priced the same. I, in my Adventurous Chef identity, of course bought
some of each.There was one kind that looked especially exotic; very
twisty, with lots of eyes and a deep purple skin. After washing
and paring, they were a near-white. After baking, it was clear they
would not work in the dish -- their outside formed a new leathery
skin, while their inside proved uncooperative to mashing. They did
taste good, however, but more like a plantain banana than something
you'd want alongside the Jewel yams underneath the marshmallows.
Here's a picture of one after baking:
Pretty unappetizing, eh? It's proved to be a good snack, but their
absence from the dish means I have to go shopping again and get
some Jewel yams to make up the shortfall.
I also overbought
on the Russets, so we'll be eating on those tonight to make room
for all the great stuff that still needs to go into them - butter,
cream, etc. Here's what the mashed potatoes look like now, in their
protoean, unalloyed state:
I'm a big fan
of the bad boy of cooking, Tony Bourdain. His recent Christmas show
was amusing as usual, and different in that there was some actual
footage of Tony cooking. One of his big admonitions for home cooks
is to make your own stock for that professional chef flavor. He
actually showed how to do it (almost), so I re-watched the episode
and took notes. I started by roasting (at 450) a chicken carcass
and some vegetables, with a little tomato paste.
I also roasted a load of chestnuts for the stuffing at the same time. Because of the demand on the stove's BTU-producing abilities, everything took longer, but eventually we got some good roastage happening.
Next,
I put the roasted bones and vegs into a 12-quart stock pot and filled to the
top with cold water, adding a couple of bay leaves and some fresh thyme, and
simmered.
After about
3 hours, it looked like this.
I let it continue to simmer overnight. This morning I strained it, put it in a clean pot, and added some red wine and shallots. The wine, a Bear's Lair 2003 Merlot, was chosen the way I choose most any wine, by some combination of attractive label, name and/or price. This was $2.99, and is actually quite drinkable.
Here are the wine and the
shallots eyeing each other.
Here they are again, having
just gone into the stock.
Next comes the process of reduction, allowing the water to evaporate and the
flavors to concentrate. It's starting to taste pretty good! The wine was a good
idea.
12:20pm - The liquid level
is noticeably lower, and scum accumulates on the surface, which I've been skimming
off. I've increased the flame slightly over this level for the reduction process:
Peeling the chestnuts proved to be the most labor-intensive chore thus far. Here's my peeling setup on my office table last night. Note the drab, prison-like lighting and the large job that still lies ahead.
As
a Midwesterner, Jello salad was often a part of big meals, especially
on my mother's side of the family, who were from Missouri. I'm adding
a gratuitous Jello salad to our meal, and have gotten a start on
it here with this raspberry with coconut and pineapple version.
I'm thinking of topping with a layer of tapioca.
I made the cranberry sauce
last week, because I for one love it. Nothing here but cranberries, orange juice,
brown sugar and molasses. It's scrumptious!
I have to run off now and pick up my green coffee beans from Sweet Maria's, in case the apocalypse hits over the weekend. And not to forget those yams!
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There is one more weekend of Dickens Fair left before it closes forever (for 2007)! Just to be formal about it:
The Great Dickens Christmas Fair at The Cow Palace (enter Gate 5) Parking (charged by the Palace): $10
This year's Fair has been quite enjoyable for me. This is our 8th year in the present venue, and gradually our crew has become better and better until we are now a smooth-running, well-oiled machine. (Especially the well-oiled part, anyway).
Pirates of Penzance is back at the V&A Theatre after a two-year hiatus, and is better than ever - last Sunday's performance was absolutely stellar. New pianist Barry has whipped the cast into shape - I'd pit them two falls out of three against any other local cast!
Naughty French Postcards returns for its third triumphant year, with a new script and some new talent, including the beautiful Deborah Doyle as Leticia. In a new and unexpected development, I find myself playing electric sitar for 3 of the Indian-themed tableaux! I've also been bending those same strings for J. Paul Moore's exotic magic show, seen twice daily at the Victoria & Albert Theatre and Bijou Music Hall (as are the other productions mentioned above).
I also appear daily playing with Siamsa, the Irish & Scottish dance group (appearing at Fezziwig's at 11:40 and 3:40), as well as with the Pipe & Bowl Morris Men (appearing at Mad Sal's at 12:30 and 3:30). How do I appear in two places at once? Come find out!
It's the Bruno Band - here featuring Jay Doane, Robert Hill, Brian Dallarmi, and Hava

This was a game-show theme I wrote for a guy off Craigslist who was shooting a video for the, get ready, Howard Stern Film Festival. The video was a piece of doo-doo, but here's the game-show theme, which I thought turned out pretty bitchin'. I recorded it at home and at Kristoph Klover's Flowinglass Studio, with the K-man engineering. Scott Irwin played drums and did all the zany vocal things. Connie Walker-Shaw played sax.
Oops - when I posted this before, it was the wrong version, without the other people on it. Listen again - here's the final mix. I play everything but drums and sax.
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it's good to know that the vocalist is not SO demented that he sings like a snare drum or... your reposting solved the weird mystery that was starting to gnaw thru the back of my mind like a catarpillar in the Night Gallery!
"Game-showy"? Not really.
But bitchin' indeed, m'man.




Comments
mouth-watering! whoever is sitting at your dinner table on xmas is lucky. and that stove is divine. merry xmas!
brittanybf, Thank you for reading! I'll pick up the story again on Monday. Right now it's off to the last weekend of Dickens Christmas Fair in San Francisco, where I'm working until it's over Sunday night.
send left-overs to: Uncle Creepy, c/o Mog for dinner, Anytown, USA