WHERE MUSIC LISTENS TO YOU

Coleman Hawkins Channels "Mood Indigo"

Posted about 1 year ago
With all of the jazz albums out there that have titles like "Such-and-such Meets Such-and-such" — "The Count Meets the Duke", "Lionel Meets the Duke", "Louis Armstrong Meets Oscar Peterson", "Duke Ellington Meets Coleman Hawkins", etc., etc. — I'd like to see something a bit out of the norm, something like "Duke Ellington Meets Dwight D. Eisenhower". There would be the famous photo of Ike, befuddled and empty-handed, standing in the middle of the exquisite maelstrom of Duke's orchestra, as he thinks, "Damn, I wish I would have learned clarinet instead of tank warfare."
But back to "Duke Ellington Meets Coleman Hawkins": In the credits the album lists, "Aaron Bell, bass; Johnny Hodges, alto sax; Coleman Hawkins, tenor sax," and so on. I've always felt this was a bit limiting. It should read something like, "Coleman Hawkins, tenor saxophone, beautifully breathy and delicate on a ballad, an enormous, comforting presence, huge like some loving force swirling around you and embracing you, pulling you gently closer to the tune. The elegance of his playing closes your eyes and you are suddenly communicating with the music, with the solo. You have no idea what's being said, but you understand every glimmering, soulful nuance up until that final breathy note when the embrace is unclosed, petal by petal, and the song lingers like scented vapor."
That's how a player's description should read.

Comments (4)

  1. I am says Nice. I needed this.
    Permalink posted 02/14/2008
  2. RSchaut says Body and Soul gets all the focus of jazz historians, because it was recorded in 1939. When the Ellington album was recorded, 1962, the ideas were no longer revolutionary, but the music was better--made so by the presence of Ellington's backing orchestra. Compare, for example, Ellington's method of punctuating this solo with Gene Rogers' less active accompaniment on Body and Soul. The interplay between Hawkins and the orchestra is much more sophisticated here. Almost makes you wonder what would have happened to jazz altogether if Hawkins and Ellington hadn't waited nearly 30 years to collaborate.
    Permalink posted 02/15/2008
  3. ZeppoNoir says Actually I think "Ike Meets Ellington" is now available on Bluebird. Duke on piano and Ike on the military industrial complex. It's a keeper.
    Permalink posted 02/16/2008
  4. extraordinarypoems says Amazing. What a fabulous end to my work day!
    Permalink posted 02/18/2008

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