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Track Two, The Hook

Posted over 2 years ago
OK, so if the first track is good, generally you're going to keep listening. And a strong track two can't disappoint. It has to expand on the mood of the first track while solidifying the theme of the entire album. It has to make you want to _keep_ listening to said album. It needs to make you wonder what could come next to continue the strong beginnings and thematic scheme presented by the first two tracks.Van Morrison, having already proven himself both a jazzy soulful crooner and a windswept Irish Bard during a four year span in the mid to late Sixties, combined the two elements to achieve a spiritual soul album which would come to be revered by by fans on both ends of that spectrum, _Moondance._After setting the table with _And It Stoned Me_, the title track here brings together both worlds for Morrison. On one hand the breathy shouting shown markedly on _Astral Weeks_, while bringing together the jazzy base of that record and tightening the groove throughout. _Moondance_ proved the blueprint for much of Morrison's work of the next decade and set the stage for countless crooners, followers and imitators. But the original is still the best.

Comments (12)

  1. Cinful says my son bought the Best of Van Morrison cd and I immediately loaded it only my iPod ... so many awesome classics!!
    Permalink posted 10/18/2007
  2. Groon says See, it's attention to song order like this that turns an ordinary album into an event. I don't know if you're familiar with the Rush album Presto. It's not the best album by them, but it's a perfect example of song order done right. You start off incredibly strong with the first track ("Show, Don't Tell"), always the first single, one of the best tunes on the record, high energy, great melody. Then that ends and is followed by what is almost a stronger song ("Chain Reaction")--a song that continues the energy created in the beginning, develops it, stays fun and easy. Then, track three (which you haven't gotten to yet, assuming you're developing this idea farther) is almost invariably the cool down ("The Pass"), the strong emotional slow song. Every song comes at the right place to give you the highs and lows, the roller coaster that a great album should be. Incidentally, the last track on Presto is another great example I should've mentioned in my own post, "Available Light", which is a haunting, pensive track that ends and leaves you emotionally spent. Again, great post lamenting a lost facet of the art of music.
    Permalink posted 10/18/2007
  3. Mike the Knife says Alls I know is that Astral Weeks and Moondance are CRUCIAL, must-have albums of the rock era. And they still sound tremendous today.
    Permalink posted 10/18/2007
  4. vannatta says I agree with everything you've posted, but there is also the dark side of having to put albums together - ranging from groups that just threw anything together because they were mad at the label after not getting the "proper" promotion, and say, had only one option left in their current contract, all the way out to the countless artists that have admitted that certain tracks were "album filler" - since they had to fulfill a certain obligation either in their contracts, or the fans expected at least 10 tracks.
    Permalink posted 10/18/2007
  5. Jonh Ingham says This brings back memories of sitting with artists in the studio working out the sequencing of an album. And with vinyl, doing it for two sides! Groon has it right - track 3 is the Cool Down....But referring back to my 'Revolver' comment in your first post on this, they managed to put a Cool Down as the second track while also making it weird and cool enough to be The Hook. That's what makes them so damn cool.
    Permalink posted 10/18/2007
  6. vannatta says You also have to make them want to flip it over on Track 5 usually - (and 4 would end up being a Connector) - or what many have complained as filler. Six kicks off the B side usually and is a Hit style opener again, and then it continues - mellowing you out by Track 9 and 10 - also classic filler - although I have always enjoyed the last cut on an album - usually from a songwriting standpoint, even though on tighter budgets it wouldn't always get the production coin it would deserve. My studio days started with CDs just becoming popular, but we always put that kind of care in to sequencing, the concept behind songs etc... however, I have noticed that artists in general have stopped looking at it as closely as "Track 6 is another hit" since about 1996 or so.
    Permalink posted 10/18/2007
  7. Mike the Knife says It's kinda sad that much of this programming by the artists and producers becomes moot with the escalation of digital track-by-track sales and the mp3 shuffle. Why, when I was a boy...
    Permalink posted 10/18/2007
  8. soulrocket says it is being a while since i have listened to a whole album, bur this is one of those few albums i can listen from begining to end. nice one, les.
    Permalink posted 10/19/2007
  9. Grievous Angel says stumbled across this post via "goodshit":http://goodshit.phlap.net, so congrats on being the first mogger, to the best of my knowledge to get linked from there! an essential album, by any measure, but then so much van is. although not the equal of moondance, astral weeks, or tupelo honey (if only because the latter contains perhaps the most perfect song in rock history), i've been rediscovering The Healing Game, released in '97.
    Permalink posted 10/19/2007
  10. Cody B says Great series going here.. Some questions..Will the album go away? Should artists release their stuff song by song as they are created? Or is the album (the 40 minute kind) the perfect format for delivering a group of songs that make up the artists latest work?
    Permalink posted 10/19/2007
  11. soundsa-mazing says I named my horse after that song. "It's a wonderful night for a moondance..."
    Permalink posted 10/19/2007
  12. gimuzo says classic , i love this
    Permalink posted 10/19/2007

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