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Saturday Jazz

Posted over 2 years ago
In the late 60's Miles Davis' second great quintet was breaking apart as Miles was heading into ambience, rock n roll, and funk. His bandmates were headed for great things, includng Herbie Hancock.Hancock's music of the period ranges from the clearly funky to the murky waters of the fusion he was still playing on some of Miles' records such as _In A Silent Way_ and _Bitches Brew_.His groundbreaking album _Mwandishi_, a Swahili word for writer was recorded on December 31, 1970. This album, along with _Crossings_ and _Sextant_ remain the most experimental and spacey of Hancock's lenghty discography.The influence of Miles is clear, in fact the album _Mwandishi_ sounds as if it could be comprised of outtakes from the _Bitches Brew_ sessions. Hancock had his own sextet, though they only remained together for these three albums. Herbie's fascination with electronic instruments and gadgets become introduced into his music with these recordings and would remain for much of the decade. Liberated from Blue Note records and their control over the stylings of his music, Hancock breaks free here and introduces us all to Space Funk. Enjoy.

Comments (4)

  1. Max Load says Yes!
    Must have a dig around in the Miles Davis pantechnicon. Live Evil and Dark Magus are starting to bubble to the surface.
    And may well revisit Rocket too :-)
    Permalink posted 08/25/2007
  2. RGM says That was a great era for the first wave of Jazz Fusion, the 90's being the 2nd in a more underground setting...
    Permalink posted 08/25/2007
  3. Mike the Knife says That's downright inter-galactic! Nearly had a zero-gravity experience...
    Permalink posted 08/25/2007
  4. Reckon says Awesome and mind-boggling as always. You are too kind for posting HH.
    Permalink posted 08/26/2007

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