WHERE THE HOKEY POKEY "IS" WHAT ITS ALL ABOUT

Jajouka and Ganawa

Posted over 2 years ago
Lately Ive been listening to the Master musicians of Jajouka w/ Bachir Attar and Ganawa music almost exclusively. My listening habits get deeply intrenched in the music that moves me most for that time of my life. I just tend to submerge myself in a type of music for years. (that often includes music I'm producing) Any who know me know this well. I have vacilated between Ganawa and Qawwali for the last twenty years. Give me some time and I will list my favorites here on MOG. It's not that big of a list. Unfortunately Jajouka and Ganawa tends to be pretty rare. I am fortunate to have known Bachir Attar well for years, we've performed together, played together and recorded together around the world. He told me once that his family (The Master Musicians of Jojouka) had over 600 songs and that only maybe 30 were recorded! The music of Jajouka is really an exceptional and rare example of some of the oldest music in the world. When ethnomusicologists want to understand what mesapotanian music sounded like six thousand years ago they study Jajouka. So my hopes are to hear more of this great music recorded for prosperity. So what is all this music based on? Both Jajouka and Ganawa are some of the oldest Sufi music as well as oldest pre-Mohameddan examples. They both were ancient pagan music forms that were converted to Islam where they then began adopting their melodies and rhythms to devotional chants for Allah. So this is really a fascinating history here in Jajouka and Ganawa. More on that later. L

Comments (4)

  1. ivylander says You've restirred my interest in this music. Years ago I got a copy of that album that Brian Jones recorded of the Master Musicians of Joujouka, and I found it unlistenable - not at all because the music was bad, but because the mix was so ghastly. Maybe this time I can do a better job of hearing beyond that....
    Permalink posted 03/02/2007
  2. Larry Thrasher says yea, I know exactly what you mean. The flange and delays Brian Jones used made it fit only for hippies on acid in 1970, destroying the actual original musicality. I also don't recommend the Talvin Singh attempt at mixing Jajouka. He does some expermental approaches that isnt really necessary. I prefer it all left untouched. Cheb i Sabbah also fails on the direction his latest Ganawa remixes go. Too much stuff stomping out the actual intent of the sounds.This music is the kind that gets under your skin over time. Its for the more mature listener. Like how your first cup of coffee sucked. It may not penetrate with the first listen or two, because it has its own set of rules and a subtle expression that the typical western listener is not familiar with. But if given some repeated listens one will find that it really speaks to the soul. Its an expression that is splendidly pure which rises up from both the sounds of nature and Sufi devotion. Thats what makes it so rich. But one will also hear many familiar modern like sounds, the Gimbri, or Scintar, is the original bass instrument. The technique uses slaps with the thumb. So the Gimbri gives us the funk music of pre-history! But along with that kick that funk has its also the olderst trance music still making people spin into states of bliss! L
    Permalink posted 03/02/2007
  3. Kate says Have you read Stephen Davis' novel/bio "Jajouka Rolling Stone"? I keep seeing it on the shelf at home and meaning to pick it up.
    Permalink posted 03/02/2007
  4. Larry Thrasher says noo, havent read that. I would love to. I'll put it on my must read list.
    Permalink posted 03/02/2007

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