...from the Three Degrees of Separation Dept: ...I have a grip of movie soundtracks that I listen to on the regular-- especially moody Ennio Morricone, Vangelis and James Horner/ London Symphony, orchestral stuff when I'm sitting at the keyboard working...tunes set the tone and tell you what's happening onscreen even if you're looking away from it...there are flicks I enjoy viewing because of their soundtrack or score; everytime I hear Massive Attack's "Angel" or "Golden Brown" by the Stranglers I think of Guy Richie's caper classic Snatch...Public Enemy's "Fight the Power" reminds me of Spike Lee's Do the Right Thing (and the summer of '89 when I graduated from high school and went to college)...Moby's "Porcelain" will always cause me to think of The Beach, that underrated Leo DiCaprio flick that boasts a really phat soundtrack..."Miserlou" will forever evoke images of Jules Winfield and Vincent Vega cruising through the Valley in Pulp Fiction, Simple Minds' "Don't You Forget About Me" warps me back to high school-- come to think of it, didn't John Hughes throw up lyrics from David Bowie's "Changes" before the screen shatters and fades onto the Shermer campus? That's a double whammy...the list goes on and on......I've noticed that Adam Sandler uses a ton of pop/ rock tunes to augment the thrust of his movies and though the premises for these vehicles often push the envelope of credulity, I've got to hand it to the folk over at Happy Madison (Sandler's production company) they know how to sprinkle in the pop slices for maximum effect, clearly evidenced in the movie click which stars Sandler, Kate Beckinsale, David Hasselhoff and Christopher Walken (another one of my favorite thespians)...as I write this, I'm reminded of covering the film Wedding Crashers (which actually used Dave Brubeck's "Blue Rhondo A la Turk" during the football game sequence) and is also a film I'll check from time to time but not for the music-- the dinner table scene...Will Farrell's cameo...the quail hunting incident? Sometimes I'll go to a screener and know that I'm watching a hit and such was this film (I felt the same way while watching Brokeback Mountain)...I got some really sweet copy from Walken that I never used (because everyone wanted Vince Vaughn/ Owen Wilson stories) but blah-blah-blah...my trusteds know where I'm going with this......meeting the King of New York was a really surreal moment because CW's the man..."eccentric" but a great actor nonetheless-- there were definitely "Ground-control-to-major-Tom" moments but that's forgiveable...dude's been in some of my top 100 flicks; Annie Hall, The Deer Hunter, A View to a Kill, Biloxi Blues, King of New York, Batman Returns, True Romance, Pulp Fiction, Things to do in Denver When You're Dead, Basquiat, Gigli (kidding) and Man on Fire..and then there's all that Saturday Night Live shite...dude's led a full life...but he's out there, son...waaay out there, kid...here's an excerpt:"...When dude walked into the room I half expected him to pull out a wristwatch (like he did in Pulp Fiction) but that didn't quite happen...There's an old colloquialism that goes "avoid meeting your heroes at all costs -- they're never as interesting to meet in the flesh as you'd imagined they'd be." I walked into the roundtable at the Four Seasons bearing the latter in mind because, you never know, yo..."*See for yourself*":http://chronicridicule.blogspot.com/2005/06/christopher-walken-king-of-new-york.html
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