TAKE OFF YOUR SOCKS LEST THEY BE KNOCKED

Under the Covers With Ruth Copeland

Posted over 2 years ago
Ruth was a songwriter-performer (the first signed to Holland-Dozier-Holland's Invictus label). While at Invictus she forged a friendship with George Clinton, which led to her doing some arranging and writing songs for Parliament's Osmium album. She must have made a very good impression, because her 2nd album (the first was kinda gothic folk) featured the entire Funkadelic crew(who at this time were almost ready to leave the alleged low pay and general craziness associated with Mr.Clinton and go on the road exclusively with Ruth), including guitar monster,Eddie Hazel.Sly Stone was impressed and she was asked to open for his tour in '71.When she started to introduce her band as Funkadelic and let them close her shows, Sly was not amused (Would you want to follow Funkadelic?). The band was let go and they headed back to George and Ruth faded from the public eye.Ruth shows her British roots on I Am What I Am with 2 Stones Covers.Here's Funkadelic backing Ruth Copeland on a nice folk-metal version of Play With Fire.

Comments (27)

  1. cpetersonart3 says Thanks for this post, I had totally forgot about Ruth Copeland- I never knew her beginnings- I loved her Take Me to Baltimore album from 1976.
    Permalink posted 07/08/2007
  2. Cody B says That is interesting to know about the '76 record,cp. I've never heard that one. What kind of sound/style is happenin' on it?
    Permalink posted 07/08/2007
  3. Mike the Knife says Yet another unearthed gem with an arcane history. Killer track, too. Whatever happened to her? Where is she now - if anywhere?
    Permalink posted 07/08/2007
  4. Cody B says Info is very sketchy,Mike. One thing I did find out poking around is that she was married to a cat who was a producer at Motown(Jeffrey Brown-didn't know him either), when it was still in Detroit (Man what a scene they had there), and that is how she came to meet up with George Clinton, and be in the States in the first place. I can find very little on her '76 record, so I'm interested to see if cpeterson's got any info. If there was no P-Funk connection, I would know even less!
    Permalink posted 07/08/2007
  5. Mike the Knife says Hmmm. I guess we'll see what turns up.
    Permalink posted 07/08/2007
  6. Lizziegreeneyes says I am kinda diggin it... took her a minute to really take hold, once it kicked in, I was there. Dig her vocals.
    Permalink posted 07/08/2007
  7. soulrocket says ive never heard of her before and it is a very interesting piece of music history you brought up here.. is this what they call stoner rock? she sure has a powerful voice. well done, cody. you happen to extend funk to its very limits.
    Permalink posted 07/08/2007
  8. Lady Miss Ian says Pretty amazing powerful voice. I'd never heard of Ms. Copeland. Very interesting history. If you or Mike turn up anything more on her, I'd love to find out. Plus, she looks very Bad-Ass in her outfit on the album cover.
    Permalink posted 07/09/2007
  9. cpetersonart3 says I grew up in Detroit so that is probably why I picked up on her,it was played for a while back in '76. its on RCA records produced by Ralph Moss and features Dick Wagner-guitar(Frost and Alice Cooper) and Randy and Michael Becker-Horns, Robin Kenyata-Alto Sax and Flute, Steve Jordan-Drums,plus a few others. She mentions that her mentor is Paul Schindler and dedicates the album to Peter Ham(Badfinger).The songs have a more Jazz and Gospel feel to them but she has an incredible voice.The dedication on the record is ..."Back again ...it seems that it always comes back to oneself anyway. I'm still alive ...but I wouldn't be if it weren't for the musicians on this album. May they all feel what I'm feeling right now." Thanks again for jogging my memory and getting me to listen to this record. Its been a very long time since I listened to it!!!
    Permalink posted 07/09/2007
  10. cpetersonart3 says Just for kicks I looked up Ruth Copeland in Jerry Osbourne Records book and found a mention to Darry Hall. It seems that Darryl Hall cowrote and sang on two songs. Hall and Oates were at RCA at the same time and some of the same musicians that played on her record played on theirs. You can find the info by googling Daryll Hall and Ruth Copeland
    Permalink posted 07/09/2007
  11. Cody B says Cool info cpa3..Thanks.
    Permalink posted 07/09/2007
  12. Cody B says I look forward to any posts you might have about those Detroit years! It sounds like things were really cooking around those parts.
    Permalink posted 07/09/2007
  13. The Time Machine says


    Yeah...this is the stuff!

    : = )





    Permalink posted 07/09/2007
  14. poebegone says love the song, love her vocals. i didn't know Ruth Copeland before this post and now am as curious as everyone else about where she's gone. thanks, Cody B, you never cease to amaze.
    Permalink posted 07/10/2007
  15. Cody B says Thanks poe,Bayon is amazing..these are just records Here's some more Ruth: From the first record, Self Portrait, which is a lot better than I gave it credit for above, and does include some rocking material amongst the bagpipe and guitar strumming folk tunes. She also does her version of a song she wrote for Parliament (a fave of mine) called The Silent Boatman, but here's the rocker.. From I am What I am > Some corrections..her husband was producer Jeffrey Bowen (Temptations) who used Ruth's name to do work at Invictus because he was still signed (not for long) to Motown. He and Ruth then had their hands on a ton of stuff at Invictus/Hot Wax til the label started to crumble in the mid 70's. Nobody seems to know what happened to her after '76..although a newer reissue of her 2 original records has more photos, and maybe more info. I can't bear buying it for the possibility of finding out,so someone please buy this, and return here with our answers:) Anyway, it has been fun relistening to these records and one wonders if Ruth had a tad of influence on the stuff Betty Davis did a couple of years later. She's not quite as risque as Betty, but these sure aren't you typical 1971 songs. Here's one more....Ruth, if you are reading this,call us, maybe you could perform at our MOG get together in Philly. We won't be too far from Baltimore.
    Permalink posted 07/10/2007
  16. cpetersonart3 says Just another postcript to Detroit in the early 70's Ruth did have a single called Music Box at the time and got into the top 40 . Becuse of Motown anybody associated with them was popular at the time -Chairman of the Board, Eddie Holman,and Funkadelic(George Clintin) , Freda Payne,Detroit Emeralds and the Dramatics who went to Stax.These were typical groups at this time however, I have not met a lot of people like me, a suburban white kid who was into the whole music scene not just rock and blues and who loved more than just the motown artists.The Funkadelic's 1st record was a huge record but you didn't see a lot of white kids listening to it. I do miss this music before disco came in and homogenized it.
    Permalink posted 07/12/2007
  17. Cody B says Thanks so much,cp. I am always glad to hear it from folks on the spot.
    Permalink posted 07/13/2007
  18. avenustylee says Definitely a great voice with the inimicable Eddie Hazel on guitar. Her voice predated Heart- but they sound a lot like her (without the backup). Heart seemed to pick up a more Led Zep flavor to their songs. Have a feeling that Hazel should have been let loose a little more on this tune. She definitely had the pipes! Yeah, the outfit helped too. But so did Ann and Nancy.
    Permalink posted 07/19/2007
  19. poebegone says by the way: (and not that i'm making a big deal of it) Ruth Copeland circa '70s Patti Rothberg circa '90s (:
    Permalink posted 07/25/2007
  20. Cody B says poe..it looks like a conspiracy:)
    Permalink posted 07/28/2007
  21. Spike 1 says

    I AM WHAT I AM has been one of my all-time favorites from the beginning.  I played this album for my nephew, and said, "Now this is what rock and roll is all about."  I was in college and it was played on the – we called it "progressive" station, like "alternative" or "college" now.  I had no idea of the Funkadelic connection, although we used to hear their first album on the progressive station.  I knew a guy who had served in Nam.  He said all the soldiers used to listen to The Medal a lot.  I saw Ruth Copeland for the first time at the Hollywood Palace in Catonsville, the Baltimore suburb where I lived.  She was so outstanding.  The last time I saw her was at the Emerald Gardens, a ballroom also just outside of Baltimore.  The place was packed and rocking.  She was very emotional.  She talked like we were saving her life.  She said she had been down and out – I guess to the effect that her career was in the toilet and she was depressed.  But then she got the call to book her for this show in Baltimore.  She said something to the effect that she couldn't believe anyone would go to see her and they said, "They love you in Baltimore."  AND WE DID!  Then she said, "I'm gonna make another album and I'm gonna call it, 'They Love Me In Baltimore'!"  During that show, a guy called out a request by shouting the title, "Crying Has Made Me Stronger".  She said, "Oh, cryin' has made me a whole lot weaker, man."  Recalling that comment and everything she said, I was really sorry and afraid for her when TAKE ME TO BALTIMORE came out.  Hopes dashed!  I felt that disco had taken the music to a place I couldn't go.  I thought the new record company, RCA, probably pushed her to do this type of thing, but it was her only offer.  It got horribly, even cruelly panned in, whichever, Stereo Review or Hi Fidelity, with no comment on her earlier work.  (I'd give it another listen now, but I need a turntable.  Imagine.  Approximately 9,000 records and no working turntable!)   My heart sank.  Anyway, it has been excellent hearing these tunes and reading the admiring comments of other Ruth Copeland fans.  I'll comment on that Gimme Shelter video too.   My heart really beats fast and hard listening to these songs again.  Every time.  It never becomes routine.  By the way, Un Bel Di (One Fine Day) apparently was left off of that SELF PORTRAIT/I AM WHAT I AM combined reissue and the Invictus sessions.  Fie!

    Permalink posted 10/10/2008
  22. Cody B says

    Brilliant update Spike 1. Thanks so much for all that info..

    Permalink posted 10/10/2008
  23. Spike 1 says

    Glad to share.  This is my first post.  I joined more or less to share this.  I hope to participate more now that I have made the plunge.  There is so much music of so many kinds.

    Permalink posted 10/11/2008
  24. Cody B says

    We need more good folks..look forward to your shares..or commernts

    Permalink posted 10/11/2008
  25. jimh says

    Wow.  Interesting thread.  I just re-discovered Copeland today while burning up my Pepsi points downloading free MP3s.  I searched for her because I hadn't heard Gimme Shelter in ages and was dying to hear it.  Was thrilled to find a video/audio clip on YouTube.  I have the original LP I am What I am.  I was stunned to read here about the Baltimore connection (still not sure what it is exactly).... if I'd known she was playing around here (I grew up north of Baltimore in the suburbs) I'd have been there (depending on my age I guess).  I first heard her on one of the LP stations around here, taped it and played it alot.  Then I eventually bought the album.   AND, I never had a clue about the Parliment/Funkadelic connection... even though I was a DJ in the 70s and 80s. From everything I've read she just kind of disappeared.  Ruth!!!  Come back!!!  We, or at least I after listening to Gimme Shelter, miss you.

    Permalink posted 12/31/2008
  26. Cody B says

    Good to see you Jimh..man, I can't believe the number of folks who checked MOG just for Ruth..Hope you stick around.

    Permalink posted 12/31/2008
  27. jimh says

    Hi - I forgot to add I discovered the group via Google while I was searching for her.  I''ll hang around, no prob.

    Permalink posted 12/31/2008

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