For full insight, read this review, written by myself and the other non-Frank Black person in the picture, Dean. We do the podcast/moderate the forum/basically run FrankBlack.net. Dean & Brian Do ReginaAn epic struggle for survival in a hostile land at an incredible show.Set ListAcoustic:The Black RiderCactusThe Holiday Song (Aborted)My Life is in Storage (Aborted)HeadacheThe WaterLos AngelesWave of MutilationVelouriaCalifornia BoundFull Band:BulletI'll be BlueNadineTen PercenterI Burn TodayI'm Not Dead (I'm In Pittsburgh)(Do What You Want) GyaneshwarRaider ManAll Around the WorldHorrible DayMy Terrible WaysSufferingAll My GhostsDog GoneSwimmerJohnny BarleycornRemake/Re-ModelLiving on SoulThat Burnt Out Rock and RollDead Man's CurveSix-Sixty-SixSing for JoyDeaner and Brian(er) rolled into Regina in record time, only to find out that the show had been postponed an hour – which meant that FB and co. wouldn't be onstage until 11pm. We were given this information by the Kentucky Prophet himself, who was very friendly and helpful. A quick detour to Billy Block's hotel room to discuss the upcoming meet 'n' greet aside, Dean gave Brian the grand tour of the capital of his fair Province, including the Parliament building, Wascana, and a marvelous gravel lot or twleve.We entered the venue at the start of Kentucky Prophet's set. The crowd seemed to enjoy it, and after 45 minutes, he exited the stage and the road crew started getting set for the show. Because of the lack of an acoustic opener in Winnipeg, and the last-minute tuning of the Telecaster, we assumed (falsely) that we wouldn't get an acoustic set. This was not the first, nor the last, mistake made that evening.FB himself came onstage with a cup o' tea and grabbed the acoustic guitar. He remarked "I've been here before" when he looked around a bit, which Dean had commented on not an hour earlier (note: The Distrikt used to be the State – where a great CBC broadcast was once recorded with the Catholics in 2003).The acoustic set was great, starting off with the Tom Waits cover, "The Black Rider." A humorous highlight was FB verbally lashing himself for messing up both "The Holiday Song" ("How could I mess THAT ONE up? I'm Frank Black... of THE PIXIES") and "My Life is in Storage" ("Oh man, two in a row."). "Headache" was prefaced with "What is one I can't mess up?". "The Water" continues to impress on each hearing – we can't wait for the ChRISTMASS version. It was stuck in Dean's head all night, and into breakfast this morning.The big surprise was "Velouria," which transitioned beautifully really, it was a completely under-the-radar transition - out of nowhere he was suddenly playing "Velouria") out of "Wave of Mutilation," appearing in the same screamy version as heard on the acoustic tour. After "California Bound." FB switched guitars and called up on the band.First he called up Billy Block, and mentioned his flowing, white mane parting the crowd, then Duane Jarvis, and then he granted Eric Drew Feldman permission to take the stage. The band came out and started off with "Bullet." The version was quite different than the Catholics version; We both missed the pedal steel, though Dean thought that Duane Jarvis covered for it pretty well. Next up, came "I'll Be Blue" which was an amalgam of the electric demo and the album version.Then, a stomping, aggressive "Nadine," which really accentuated the rhythmic pattern followed, with a nice break before the guitar solo, for FB to shred his vocals on a rousing "whaaa!" Between this and "I'll Be Blue," it was clear that the band would be mixing up thearrangements a little bit tonight.FB dropped his low E down to a D and played the familiar riff that he was playing on the Pixies reunion tour after tuning down for "Planet of Sound." However, here he was gearing up for "Ten Percenter," which was the first of the evening's rock-out moments. Brian had seen it before, but Dean was floored by the intensity that's not to say Brian didn't like it – he had seem them rock it out a few weeks ago in Nueva York).Switching to his trusty acoustic again, the band broke into "I Burn Today" – the first of the Nashville tunes for the evening. Dean was especially impressed, and was quoted as saying that he now appreciates the album version a bit more. Following that was an early-set highlight, "I'm Not Dead (I'm In Pittsburgh)" – FB really nailed the vocals and even found some room to scream a bit – it was the definitive version, hands down (including the already loved FM/RM version).Next up was the first new track of the band set, "(Do What You Want)Gynaeshwar." Brian is especially enamored with this tune, and really likes Duane Jarvis' vocal contributions. A stomping romp through "Raider Man" was surprisingly beat-driven and featured Mr. Jarvis on some nice slide guitar.The set mellowed out a lot with the next three songs. To be honest, the momentum shift was pretty noticeable, and this was the set's only real lull. "All Around the World" was played all-electric this time through, as was "Horrible Day" and "My Terrible Ways." Duane really nailed the harmonies on "Horrible Day" and added some new (at least, new from New York) harmonies on "My Terrible Ways."Next up came the "brown" section of the set, with three tracks from Frank Black and the Catholics in a row – "Suffering," "All My Ghosts," and "Dog Gone." Brian still loves the 'gang' vocals of "All My Ghosts," and "Dog Gone" was a lot livelier than the recorded version. This set of songs turned the momentum back up, and brought it to a new level."The Swimmer" was transformed with keyboards into a bluesier, distorted version. This would be a good time to note how unbelievably awesome EDF's bass playing was tonight. Every song was unique in its approach and his playing has really added something to this band. Also a good time to note that the band has really gotten comfortable since the early gigs and this shows clearly.The home stretch would be the pinnacle of the show; it took the already high level of excitement and opened the flood gates. Brian thinks "Johnny Barleycorn" is far better live than in the studio, but both agree the Conan version, while very good, paled in comparison to the what we saw tonight. Billy Block's drumming, solid all evening, really shone here.Here is where our collective minds were blown: As we were stationed directly in front of FB, we got an early look at the setlist – which sort of bummed Brian out (Dean opens his Christmas presents early). However, they both lamented songs missing that they wanted to hear –Brian was really hoping to hear "Remake/Re-Model" and Dean was pining for "Living on Soul." Well, after "Barleycorn," FB said something to Duane, and he started up the riff to "Remake" much to our delight. The band proceeded to rip through it, with great fills from Billy, Duane and (especially) EDF. When it came time for FB's solo, he instead kicked into an-unscripted "Living on Soul."Following that was the new cover tune, "That Burnt Out Rock and Roll"– FB really shredded his vocal chords on the chorus for this one. Then came Podcast favorite "Dead Man's Curve" with a bit slower tempo than the solo acoustic version – not that the slower tempo took away form the pace or intensity of the set.The penultimate song was one Dean was not looking forward to. "Six-Sixty-Six" is one of his least favorite FB covers. However, tonight was different. A rollicking drum pattern and some intensely strummed chords transformed this song from its county-ish album version and its previous live take as both an a cappella acoustic-set number (although the first verse was almost totally a cappella) and its slow and noisy incarnation with the Catholics. Especiallyimpressive were the vocals, which topped "That Burnt Out Rock and Roll" for shear power and intensity. The big surprise, however, wasthe new ending (at least as far as we've heard) which involved call and response vocals from FB and Duane/EDF on the phrase "my number is up." It was during this back-and-forth that Dean turned to Brian with a big grin and stated simply "I've been converted.""Sing for Joy" was the final song of the night (no encore), and it's acappella ending – yet another bit of endorsement here, Duane and EDF really did a great job on the backing vocals all night long. After the show, the boys got to chat with the band, and even snuck a peak on the tour bus.Despite a comedy of errors like night to follow, the set, the band, and the night in general was great, and we are eagerly anticipatingtonight's show in Saskatoon. We are back in Saskatoon and looking forward especially to tonight's show.