Our Love To Admire, Not.
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It's no secret that I fancy Interpol. But I did not find many things to admire in their new album.It's not that it is bad, it's musically fine. It's that it is painfully repetitive. And mind you, I never regarded Antics & Turn On The Bright Lights to be alike. I'm not one of those people that thinks that bands should change their sound with every new album, but I do think that bands should take said sound a step (or two) further. I mean, take a look at Arctic Monkeys and how wonderfully their sound evolved in their second album. Or Muse, who had an apparent Radiohead influence going on at first and yet managed to abolish the comparisons where they now belong (=1999), make their own sound and develop the hell out of it with each new album.But back to the point: Interpol’s new album. Almost each ("almost" being a key word; for instance, I except Heinrich Maneuver) song sounds like another song of theirs. No progress, no evolving of the sound I fell in love with. It bores me. It has no elements of a sonical provocation or mental challenge. It's the same old, same old. I'm bored. And I can't help but feel like they are mocking me; just a tad, but still."This is what happens when you wait three years for your bass player to grow a mini-goatee". At first I laughed when I read this (at a music magazine about how Editors stole Interpol's thunder), but then I realized that I *hope* it could be true. Because if the reason they needed these 3 years was to write *this* album (seriously, 3 years for this? Really?), they need to do some serious thinking. And so do we.Oh well. Maybe next time.




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